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1. Best settings for iridient x transformer how to#
2. Best settings for iridient x transformer software#
3. Best settings for iridient x transformer series#

Best settings for iridient x transformer how to#

I also go into some detail on the various demosaicing modes that Iridient Developer has which are specific to X-Trans files, and I also talk about how to use the special monochrome demosaicing mode to produce optimised black and white images. The first is showing you how to use the various controls, with specific emphasis on settings and options that specifically affect X-Trans users.įor example, I explain the sharpening settings that I use, and I try to explain how these methods work, how you should use them and the various ranges of settings that work well. There are two main themes in the Iridient Developer guide. I tried to strike a balance by covering what you need to know if you want to process X-Trans files, without making it too dumbed down for more experienced users. I wanted it to be in-depth for relative beginners, but not so basic that it’s boring for more advanced users. It was actually something of a balancing act to write. It doesn’t cover every single control and function of the software, but it does cover the basics.

Best settings for iridient x transformer software#

So my goal was to create a guide that, even if you’ve never used Iridient Developer before, should give you the knowledge to use the software comfortably. I wanted to cover the software in more detail, because many of the people who have written to me about it, had some trouble understanding some of the controls. I approached this booklet a little differently from my previous two. Since then, I was constantly getting requests for some more in-depth tutorials, and so, once I had finished the other two guides I set to writing this one. I had written about it extensively on my blog, especially some of the earlier versions. It has always been really good at extracting detail from X-Trans files, and it is capable of producing some really impressive results.

While it was the last one that I’ve written about, it was actually one of the first applications that offered an alternative to Lightroom and the supplied Raw Converter software. Iridient Developer is a very interesting application. I’ve just finished and released the third guide in the series, and this time I’ve covered the excellent Iridient Developer. The first two guides were for Lightroom and Capture One respectively.

Best settings for iridient x transformer series#

To that end I’ve published a series of guides outlining my workflow and settings for various different pieces of software. The more I’ve covered this subject on my own photography blog, the more I’ve wanted to try and help users find the solution that was best for them. For some, the ease of use, and the ability to stick with an existing workflow is important, where as for others, extracting the most amount of clean detail is the most important factor. Different people want different things and the results that may please one photographer, may not please another. In my attempt to create a workflow, or various workflows for converting Fuji RAW files, I’ve discovered that there isn’t necessarily one solution for everyone. This unique design has led to many different interpretations of how the Fuji RAW files should be decoded, and it’s why there can be such a difference between different software packages. The unique design of the Fuji sensor makes it a challenge for developers, because the standard algorithms, which are based on a traditional Beyer sensor, don’t work. Over the years since the X-Pro 1 was released there have been lots of advancements in the variety and quality of the various applications which can handle Fuji raw files, and I’ve been obsessed with trying to get the maximum possible quality out of the conversion process ever since. The software that came with the camera produced good results but was difficult to use, and early support in Lightroom was quite poor and led to a degree of frustration. I was also a little disappointed with the early results from various raw converters. When the X-Pro 1 came out, I was fascinated by the sensor design, and the form factor of the camera. I was one of the early adaptors of Fuji’s X-Trans system.